Sinaloa un acuerdo por la cultura

Sinaloa: un Acuerdo por la Cultura

Num 16 | Una agenda para Sinaloa

Papik Ramírez Bernal*

Después de haber realizado tres reuniones en la zona norte, centro y sur de la entidad, y de llevar a cabo el Encuentro estatal de Cultura el pasado 12 de mayo en Culiacán, en el marco de la campaña a la gubernatura del Lic. Quirino Ordaz Coppel, abanderado del PRI-PVEM-PANAL, con una gran participación de la comunidad de artistas, promotores, escritores y cronistas, recibimos más de cien planteamientos y propuestas que alimentan una futura plataforma de gobierno en esta materia. Ofrezco enseguida un apretado resumen de consideraciones y planteamientos que, aunque sea en parte, condensan los resultados de estas deliberaciones.

Sin duda, son múltiples y muy diversas las asignaturas de las que tenemos que hacernos cargo en este terreno.

Destacaré, en principio, una que tiene que ver con lo que desde el inicio de este proceso me comentó nuestro candidato: la actividad pública cultural no se entiende sin sus artistas, sin sus promotores y sus creadores.

Por ello, una nueva política pública en este sentido, tiene que partir justamente de esto: de la dignificación del quehacer de las y los creadores, promotores y animadores de la vida cultural en la región.

Instancias como el Instituto Sinaloense de Cultura, deben apoyar su trabajo, en primer término, en ellas y ellos.

Una auténtica y abarcadora política cultural no se puede desplegar sin el concurso de su experiencia, talento y esfuerzo.

De aquí la necesidad de generar cadenas de valor que aprovechen ese gran capital social con la creación de redes de programación diversas y equilibradas.

Con la gestión de recursos federales, de organismos nacionales e internacionales, de organismos de la sociedad civil y privados, para apoyar su labor.

Un compromiso que tiene que ver, además, con el impulso a la iniciativa federal de Seguridad Social para la Comunidad Cultural, ya dictaminada por la Cámara de Diputados y actualmente en la Cámara de Senadores.

Una iniciativa que, en resumen, propone la incorporación de artistas, promotores y gestores culturales que no cuentan con seguridad social al régimen del IMSS, con todos los beneficios que ello implica, incluido el del retiro.

Es nuestro deber apoyar, en la medida de nuestras competencias y en las instancias adecuadas, iniciativas de este tipo.

De igual manera, trabajar en la revisión del marco fiscal, de los esquemas de mecenazgo e inversión cultural, más allá de la filantropía, para promover una reforma federal que considere el concepto de industrias culturales, lo mismo como generadoras de empleo que como difusoras del patrimonio arqueológico, histórico y artístico.

Necesitamos trabajar con la revisión de los esquemas de apoyo de la Banca de Desarrollo, a fin de incorporar en sus líneas de atención la incubación  y el financiamiento de empresas e industrias creativas.

Con la ampliación de los fondos nacionales, estatales y municipales de apoyo a la creación, la difusión y la promoción artística y cultural.

Todo ello con criterios de equidad, calidad y transparencia en su asignación. Los recursos destinados a la cultura deben servir a la dinamización de la vida social y no a la consagración de privilegios de ninguna especie.

Es hora ya, por otra parte, de asumir en los hechos que la cultura está estrechamente ligada a otras actividades como el desarrollo económico, la educación y la política social.

En lo que concierne a la economía, se requiere una mayor vinculación con el sector turístico que permita agregar mayor valor a la oferta y los atractivos del estado.

Que propicie el nacimiento y consolidación de industrias creativas y empresas culturales. Ya Ernesto Piedras lo señalaba hace unos cuantos años en su libro titulado ¿Cuánto vale la cultura?: la actividad cultural contribuye con un 7.9 por ciento al PIB nacional.

Junto con ello, la cultura debe efectivamente dar lugar a la ampliación de la oferta educativa, incorporándose al currículum de la educación básica y diversificando las alternativas de formación técnica y profesional en las diferentes disciplinas artísticas y en la profesionalización de nuestras y nuestros promotores culturales.

Tenemos que trabajar muy fuertemente en materia de federalismo presupuestal a través de la CONAGO, con el gobierno de la república y con nuestros legisladores. Trabajar en la perspectiva de la creación de un Fondo de Aportaciones para la Actividad Cultural, con su propia fórmula de asignaciones para contar con recursos irreductibles del Ramo 33 para el quehacer público cultural en los estados. Esto es más posible ahora que nunca, debido a la creación de la Secretaría Federal de Cultura.

No menos importante es el despliegue de una estrategia que parta del reconocimiento de la cultura como un bien social estratégico.

En esta dirección, es necesario el diseño y ejecución de programas que consideren el requerimiento de nuestras ciudades y nuestras comunidades para contribuir al abatimiento del déficit de cohesión social que hoy padecemos.

Programas que reconozcan nuestros activos culturales y los pongan en valor para promover el orgullo de nuestra gente por su tierra y su cultura.

Solamente así estaremos en condiciones de participar con dignidad en el concierto de la cultura nacional y universal en un diálogo enriquecedor y fecundo.

Son muchas las asignaturas que incluye la agenda que hemos recogido en este ejercicio: desde la protección y preservación de nuestro patrimonio arqueológico, histórico y artístico, la consolidación y ampliación de nuestras compañías artísticas como la OSSLA, las agrupaciones folclóricas, teatrales y de danza contemporánea, hasta la mayor y auténtica descentralización de los bienes y servicios culturales, la infraestructura y el equipamiento, el fomento de nuestras culturas étnicas y mestizas, la generación de propuestas de políticas culturales en las redes sociales y de acuerdo con los nuevos formatos electrónicos que ofrecen las nuevas tecnologías digitales, entre otras.

Tenemos la plena seguridad de que en Quirino Ordaz, las y los creadores y promotores culturales de Sinaloa tenemos a un aliado.

Con este impulso podremos propiciar un nuevo florecimiento cultural en Sinaloa.

La cultura es una dimensión indispensable en todo proyecto articulado y justo de desarrollo.

Con ese compromiso podemos hacer equipo por la cultura, con nuestros creadores y por el verdadero desarrollo de Sinaloa.

*Titular de la Comisión de Cultura de la Fundación Colosio, AC.

 

Written by Jorge.Limon

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